My interest in sound design and audio engineering dates back to my experience in playing games as a child. I spent more time in game editors than games themselves, always trying to make up my own stories or figure out the “behind the scenes” of how things were made.

Alongside my time running Sound & Voice Productions, I worked for nearly a decade in Commercial Construction, specifically in acoustic ceilings. In both the virtual world and the real, I made it my personal mission to truly listen to every space I occupied. No one enjoys having to shout across a table at dinner because the space is surprisingly hostile with a million sounds, voices, cheers and plates clattering in a restaurant. My personal mantra was to make spaces so seamless with intentionality in acoustics and sound, that it wouldn’t even be noticeable, just correct.

I work with game studios and video creators who want their sound to do more than fill silence. I mix, master, design, and build full soundscapes that make players and viewers feel something. From hand crafted Foley and ambience to full mix and master, I bring the same obsession to every frame and every frequency.

But sound design is just one string I play. I also remix, coach voice actors bringing characters to life, and produce audio for books, games, and beyond. If it makes noise and needs to move people I'm probably already thinking about how.